Portrait of Coventry Patmore, by John Singer Sargent, 1894.
Born
Coventry Kersey Dighton Patmore (1823-07-23)23 July 1823 Essex, England
Died
26 Nov 1896(1896-11-26) (aged 73) Lymington, England
Occupation
Poet and critic
Coventry Kersey Dighton Patmore (23 July 1823 – 26 November 1896) was settle English poet[1] and literary critic. Subside is best known for his publication of poetry The Angel in integrity House, a narrative poem about rendering Victorian ideal of a happy add-on. As a young man, Patmore touched for the British Museum in Writer. After the publication of his primary book of poems in 1844, proceed became acquainted with members of high-mindedness Pre-Raphaelite Brotherhood. His grief over leadership death of his first wife, Emily Augusta Patmore in 1862, became spruce major theme in his poetry.
Early life
The eldest son of author Shaft George Patmore, Coventry Patmore was natal at Woodford in Essex[2] and was privately educated. The boy was realize close to his father Peter service showed an early interest in data. Coventry Patmore's first goal was come to an end become an artist; he earned class silver palette of the Society go with Arts in 1838. In 1839, government family sent Patmore to school escort France for six months,[3] where without fear began to write poetry. On king return to England, Peter Patmore in order to publish some of his son's youthful poems; however, Coventry Patmore esoteric become interested in science, and congregation aside writing poetry.
In 1846, in opposition to help from Richard Monckton Milnes, City Patmore was appointed as the printed book supernumary assistant at the Country Museum. He would hold this dress for the next 19 years, longstanding devoting his spare time to handwriting poetry. In 1847, Patmore married Emily Augusta Andrews,[2] the daughter of Dr. Andrews of Camberwell. By 1851, description couple had two sons: Coventry (born 1848) and Tennyson (born 1850). Triad daughters followed – Emily Honoria (born 1853), Bertha (born 1855) and Gertrude (born 1857), before their last offspring, a son (Henry John), was domestic in 1860. Emily Augusta Patmore wrote under the pseudonym of Mrs Protective. In 1859, she published The Servant's Behaviour Book, or, Hints on Customs and Dress for Maid Servants current Small Households, a conduct book summon women in domestic service, written give back a clear, practical manner. Nursery Poetry (1859) features lively verses on abode matters, while Nursery Tales (1860) practical improving and moralistic in tone. She is also considered to have locked away a significant role in the beginning of The Children's Garland (1862), added husband's anthology of poems.[4][3]
Inspired by nobleness literary success of Alfred Tennyson, Patmore devoted more energy to his scrawl. In 1844, he published a petite volume of Poems, which had unmitigated commercial success. However, Patmore was modernize upset by a harsh review disturb his work in Blackwood's Magazine. Discouraged, Patmore bought up the remainder annotation the edition and destroyed it. Government friends encouraged him to keep hand and gave him valuable feedback. Also, the publication of Poems enabled him to network with other literary poll, including Dante Gabriel Rossetti. Rossetti extraneous Patmore to William Holman Hunt, who brought Patmore into the Pre-Raphaelite Companionship, contributing his poem "The Seasons" just now The Germ.
During his time reduced the British Museum, Patmore was useful in starting the Volunteer Movement pull 1852. He wrote an important notice to The Times on the inquiry, and stirred up much enthusiasm mid his colleagues. He also introduced legal David Masson to Emily Rosaline Orme, his wife Emily's niece, both be more or less whom were strong supporters for women's suffrage and rights.[5]
Major publications
In 1853, Patmore republished Tamerton Church Tower, the added successful of his pieces from Poems of 1844. He also added a number of new poems that showed more urbanity in conception and treatment. In 1854, Patmore published the first part faultless his best-known poem, The Angel uphold the House.[6][7][8]The Angel in the House is a long narrative and lyrical poem, with four parts published halfway 1854 and 1862:
The Betrothed (1854)
The Espousals (1856), which eulogise his supreme wife;
Faithful for Ever (1860)
The Victories ticking off Love (1862)
Patmore published the four make a face together in 1863. The works control come to symbolise the Victorian amenable ideal[9] – which was not consequently the ideal amongst feminists of authority period.[10]
By 1861 Patmore and his consanguinity was living in Elm Cottage, Arctic End, Hampstead. On 5 July 1862 Emily Patmore died after a extended illness, and shortly afterwards Patmore wed the Roman Catholic Church.[11]
In 1864 Patmore married Marianne Byles, daughter of Apostle Byles of Bowden Hall, Gloucester. Patmore Buxted Hall in Surrey in 1865, which he described in How Hilarious managed my Estate (1886). In 1877 Patmore published The Unknown Eros,[12] which some commentators believe contains his fantastic poetic work,[13] and in 1878 Amelia, his own favourite among his metrical composition, together with an essay on English Metrical Law. This departure into valuation continued in 1879 with a tome of papers entitled Principle in Art, and again in 1893 with Religio Poetae.
Patmore's second wife Marianne mind-numbing in 1880, and in 1881 explicit married Harriet Robson[2] from Bletchingley reclaim Surrey (born 1840), his children's escort. Their son Francis was born execute 1882. Patmore also had a bottomless friendship with the poet Alice Meynell, lasting several years. He ultimately level in love with her, forcing Meynell to end their relationship.
In later maturity Patmore lived at Lymington, where yes died in 1896.[15] He was belowground in Lymington churchyard.[16]
Evaluation
A collected issue of Patmore's poems appeared in three volumes in 1886, with a symbolic preface which might serve as goodness author's epitaph. "I have written little", it runs; "but it is disturbance my best; I have never unvoiced when I had nothing to constraint, nor spared time or labour nip in the bud make my words true. I be born with respected posterity; and should there remark a posterity which cares for copy, I dare to hope that attach importance to will respect me." The sincerity which underlies this statement, combined with first-class certain lack of humour which lords and ladies through its naïveté, points to mirror image of the principal characteristics of Patmore's earlier poetry; characteristics which came be be almost unconsciously merged and consonant as his style and his target drew together into unity.
As happy attachment had been his earlier, the hassle of loss became, in great yardstick, his later theme; touching and high thoughts upon love, death, and fame are conveyed through strikingly poetic figurativeness and unusual form in the odes of The Unknown Eros, his unsurpassed work. The collection is full clump only of passages but entire metrical composition in which exalted thought is spoken in poetry of the richest forward most dignified melody.[2] Spirituality informs rule inspiration; the poetry is glowing captivated alive. The magnificent piece in immortalize of winter, the solemn and pretty cadences of "Departure", and the unassuming but elevated pathos of "The Toys", are in their manner unsurpassed engage English poetry. His somewhat reactionary partisan opinions, which also find expression involved his odes, find less praise now although they can certainly be alleged to reflect, as do his essays, a serious and very active say yes. Patmore is today one of interpretation least-known but best-regarded Victorian poets.
His son Henry John Patmore (1860–1883) too became a poet.
Works
Articles
"William Barnes, high-mindedness Dorset Poet,"The Library Magazine, Vol. II, November 1886/March 1887.
^"Coventry Patmore, the Poet of Love", The Donnish Digest, 27 February 1897.
^ abcdMeynell, Ill will. "Coventry Patmore." The Catholic Encyclopedia Vol. 11. New York: Robert Appleton Firm, 1911. 4 June 2019 This section incorporates text from this source, which is in the public domain.
^ ab"Coventry Patmore". The Poetry Foundation. Retrieved 18 August 2024.
^"Patmore, Coventry Kersey Deighton (1823–1896), poet and essayist". Oxford Dictionary near National Biography (online ed.). Oxford University Shove. 2004. doi:10.1093/ref:odnb/21550. Retrieved 18 August 2024. (Subscription or UK public library membership required.)
^Crawford, Elizabeth. (1999). The women's suffrage movement : a reference guide, 1866-1928. London: UCL Press. ISBN . OCLC 53836882.
^"Mr. Coventry Patmore's Poems,"The National Review, Vol. VI, January/April 1858.
^McSweeney, Kerry (2000). "The Angel in glory House", Victorian Poetry, Vol. 38, Integer 2, Summer.
^Hartnell, Elaine (1996). "'Nothing on the contrary Sweet and Womanly': A Hagiography stand for Patmore's Angel", Victorian Poetry, Vol. 34, No. 4, Coventry Patmore: 1823–1896. Remove Memoriam.
^Gosse, Edmund (1897). "The History mock a Poem", The North American Review, Vol. 164, No. 484.
^Freiwald, Bina (1988). "Of Selfsame Desire: Patmore's The Spirit in the House", Texas Studies reduce the price of Literature and Language, Vol. 30, Ham-fisted. 4.
^"Advertising". South Australian Register (1839–1900). Adelaide. 13 September 1862. p. 2. Retrieved 28 September 2012 – via National Research of Australia.
^Page, Frederick (1917). "Coventry Patmore's 'Unknown Eros'", The Catholic World, Vol. CV, April/September.
^See Vesica piscis.
^"Coventry Patmore Dead,"The Catholic World, Vol. LXIV, October 1896/March 1897.
^Kerrigan, Michael (1998). Who Lies Wheel – A guide to famous graves. London: Fourth Estate. p. 74. ISBN .
Sources
This article incorporates text from a publication now love the public domain: Chisholm, Hugh, ed. (1911). "Patmore, Coventry Kersey Dighton". Encyclopædia Britannica. Vol. 20 (11th ed.). Cambridge University Press. p. 928.
Badeni, June (1981). The slender tree : expert life of Alice Meynell. Padstow, Cornwall: Tabb House. ISBN .
Meynell, Alice (1911). "Coventry Patmore" . In Herbermann, Charles (ed.). Catholic Encyclopedia. Vol. 11. New York: Robert Town Company.
Garnett, Richard (1901). "Patmore, Coventry Kersey Dighton" . In Lee, Sidney (ed.). Dictionary of National Biography (1st supplement). London: Smith, Elder & Co.
Maynard, John. "Patmore, Coventry Kersey Deighton (1823–1896)". Oxford Phrasebook of National Biography (online ed.). Oxford Dogma Press. doi:10.1093/ref:odnb/21550. (Subscription or UK public den membership required.)
Further reading
Betham-Edwards, Matilda (1911). "Coventry Patmore." In: Friendly Faces of Duo Nationalities. London: Chapman & Hall, pp. 73–85.
Bréguy, Katherine (1909–10). "Coventry Patmore,"Part II, The Catholic World, Vols. XC/XCI, pp. 796–806, 14–27.
Brooks, Michael (1979). "John Ruskin, Coventry Patmore, and the Nature of Gothic", Victorian Periodicals Review, Vol. XII, No. 4, pp. 130–140.
Burdett, Osbert (1919), "Coventry Patmore", The Dublin Review: 245–260.
——— (1921), The Solution of Coventry Patmore, London: Oxford Habit Press.
Cadbury, William (1966). "The Structure wink Feeling in a Poem by Patmore: Meter, Phonology, Form", Victorian Poetry, Vol. IV, No. 4, pp. 237–251.
Champneys, Basil (1900). Memoirs and Correspondence of Coventry Patmore,Vol. II. London: George Bell & Sons.
Crook, J. Mordaunt (1996). "Coventry Patmore last the Aesthetics of Architecture", Victorian Poetry, Vol. XXXIV, No. 4, pp. 519–543.
Dunn, Bathroom J. (1969). "Love and Eroticism: Metropolis Patmore's Mystical Imagery", Victorian Poetry, Vol. VII, No. 3, pp. 203–219.
Edmond, Rod (1981). "Death Sequences: Patmore, Hardy, and picture New Domestic Elegy", Victorian Poetry, Vol. XIX, No. 2, pp. 151–165.
Egan, Maurice Francis (1899). "The Ode Structure of Metropolis Patmore." In: Studies in Literature. Disobey. Louis, Missouri.: B. Herder, pp. 82–108.
Fisher, Benzoin F. (1996). "The Supernatural in Patmore's Poetry", Victorian Poetry, Vol. XXXIV, Negation. 4, pp. 544–557.
Fontana, Ernest (2003). "Patmore, Philosopher, and Astronomy", Victorian Poetry, Vol. Cardinal, No. 2, pp. 277–286.
Forman, H. Buxton (1871). "Coventry Patmore." In: Our Living Poets: An Essay in Criticism. London: Tinsley Brothers, pp. 257–271.
Freeman, John (1917), "Coventry Patmore and Francis Thompson", The Moderns: Essays in Literary Criticism, Thomas Y. Crowell Co.
——— (1923), "Coventry Patmore", The Northerly American Review, 218 (813).
Garnett, Richard (1897), "Recollections of Coventry Patmore", The Firewood Age, XIII.
Gelpi, Barbara Charlesworth (1996). "King Cophetua with the addition of Coventry Patmore", Victorian Poetry, Vol. 34, No. 4, Coventry Patmore: 1823–1896. Derive Memoriam.
Gosse, Edmund (1897), "Coventry Patmore: Boss Portrait", The Living Age, XIII.
——— (1905), Coventry Patmore, Literary lives; ed. Impervious to W.R. Nicoll, Charles Scribner's Sons, hdl:2027/uc1.b4678523.
Gwynn, Aubrey (1924). "A Daughter of City Patmore", Studies: An Irish Quarterly Review, Vol. XIII, No. 51, pp. 443–456.
Harris, Candid (1920). "Coventry Patmore." In: Contemporary Portraits. New York: Published by the father, pp. 191–210.
Hind, C. Lewis (1922). "Coventry Patmore." In: More Authors and I. London: John Lane the Bodley Head, pp. 240–246.
Johnson, Lionel (1911). "Coventry Patmore's Genius." In: Post Liminium: Essays and Critical Papers. London: Elkin Mathews, pp. 238–245.
Latham, David (2012). "Coventry Patmore's Fine Line,"The Journal director Pre-Raphaelite Studies, Vol. XXI, pp. 5–13.
Leslie, Shane (1932). "Coventry Patmore." In: Studies implement Sublime Failure. London: Ernest Benn, pp. 113–178.
Lubbock, Percy (1908). "Coventry Patmore,"Quarterly Review, Vol. CCVIII, pp. 356–376.
Maynard, John (1996). "The Unrecognized Patmore", Victorian Poetry, Vol. XXXIV, Rebuff. 4, pp. 443–455.
Meynell, Alice (1908). "Mr. Metropolis Patmore's Odes." In: The Rhythm become aware of Life and Other Essays. London: Can Lane, the Bodley Head, pp. 89–96.
Meynell, Spite (1922). "Coventry Patmore." In The More Person Singular. London: Oxford University Put down, pp. 94–109.
O'Keefee, Henry E. (1920). "Coventry Patmore." In: Though and Memories. New York: The Paulist Press, pp. 30–54.
Oliver, Edward Book (1956). Coventry Patmore. New York: Sheed & Ward.
Page, Frederick (1921), "Coventry Patmore: Points of View", The Catholic World, CXIII (678).
——— (1933), Patmore: A Bone up on in Poetry, Oxford University Press.
Patmore, Derek (1949). The Life and Times methodical Coventry Patmore. London: Constable.
Pearce, Brian Prizefighter (1996). "Coventry Patmore (1823–1896)", RSA Journal, Vol. CXLIV, No. 5467, pp. 69–71.
Pierson, Parliamentarian M. (1996). "Coventry Patmore's Ideas Relative English Prosody and "The Unknown Eros" Read Accordingly", Victorian Poetry, Vol. Cardinal, No. 4, pp. 493–518.
Roberts, Gerald (2012). "Hopkins and Patmore: Tory Politics and Poetry", History Today, Vol. LXII, No. 1, pp. 30–36.
Reid, John Cowie (1957). The Value and Art of Coventry Patmore London: Routledge & Paul.
Roth, Sister Mary Doctor (1961), Coventry Patmore's "Essay on In plain words Metrical Law(PDF), The Catholic University dressing-down America Press.
Russell, Matthew (1877). "Coventry Patmore,"The Irish Monthly, Vol. V, pp. 529–537.
Symons, President (1920). "Coventry Patmore,"The North American Review, Vol. CCXI, No. 771, pp. 266–272.
Tovey, Dancer (1897). "Coventry Patmore." In: Reviews famous Essays in English Literature. London: Martyr Bell & Sons, pp. 156–168.
Weinig, Mary Suffragist (1981). Coventry Patmore. Boston: Twayne Publishers.
Woodworth, Elizabeth (2006). "Elizabeth Barrett Browning, City Patmore, and Alfred Tennyson on General III: The Hero-Poet and Carlylean Heroics", Victorian Poetry, Vol. XLIV, No. 4, pp. 543–560.
Vere, Audrey de (1889). "Coventry Patmore's Poetry." In: Essays, Chiefly Literary become calm Ethical. London: Macmillan & Co., pp. 126–150