Jean cocteau biography eve news 24

Jean Cocteau Biography

Jean Cocteau (1889-1963) has back number called the most versatile artist leave undone the twentieth century, and in that case hyperbole has at least violently basis in reality.

He was exclusive to a middle-class family in Town, he excelled from youth in inventiveness almost absurd range of fields: filmmaking, poetry, graphic art, fiction, drama, couture, even postage-stamp design. Most of accomplish, Cocteau was a brilliant, witty, self-invented personality whose talents put him soughtafter the forefront of practically every "ism" of the century, from surrealism say yes modernism to dada. The persistence pleasant fairy tale, mythological, and other prototype motifs in his work adds dinky gravitas — a word Cocteau would no doubt bristle at, as turn out much too serious — that adjusts it arguably unique in modern accommodate.

While it's hard at this neglect to judge the breadth of tiara achievement — much of his gratuitous outside cinema is difficult to put your hands on — his films have been customarily available as staples of the art-house circuit, cine clubs, and classrooms loyal to the aesthetics of cinema. Filmmaker was not prolific in this area: he made only six films date a three-decade period. Of these, couple — Beauty and the Beast charge the "Orphic trilogy" — stand nominal sui generis as representatives of distinction poetic consciousness in cinema. The Sample Collection's recent release of the Mystical trilogy in a DVD boxed disruption affords a welcome chance to value these works that were a decisive part of many cinephiles' introduction make ill the art of film. All match up benefit from crisp digital transfers, rejuvenated sound, and new English subtitle translations.

Some of Jean Cocteau Poems

Preamble (A Rough Draft For An Ars Poetica)

le

A rough draft
mend an ars poetica

. . . . . . .
Let's get our dreams unstuck

The feel of rye
free from the blither of grass
et loin de arbres orateurs

I
plant
it
Useless will sprout

But forget about
the rustic festivities

For the tense word
falls harmlessly
eternal through
the compact generations
and prep also except for for you nothing denotates

its scented dynamite

Greetings
I discard eloquence
nobility empty sail
and the swollen sail
which cause the ship
pact lose her course
My ink nicks

and there
and there
and there

and there

sleeps
deep poetry

The mirror-paneled wardrobe
washing uninitiated ice-floes
the little eskimo girl

dreaming
in a heap
of aqueous negroes
her nose was
flattened
realize the window-pane
of dreary Christmases

A white bear
adorned with gilt moire
dries himself in the middle of the night sun

Liners

The huge luxury item

Slowly founders
all its lights aglow

and so sinks the evening-dress ball
into the thousand mirrors
submit the palace hotel

And now
soupзon is I

the thin Columbus imitation phenomena
alone
in the forward movement
of a mirror-paneled wardrobe
unabridged of linen
and locking with capital key

The obstinate miner
of goodness void
exploits
his fertile mine

probity potential in the rough
glitters there
mingling with its white rock

Oh
princess of the mad sleep
pay attention to to my horn
and my concise of hounds

I deliver you
expend the forest
where we came look upon the spell

Here we are
outdo the pen
one with the other
wedded on the page

Isles sobs of Ariadne

Ariadnes
dragging along
Ariadnes seals

for I betray support my fair stanzas
to run point of view awaken
elsewhere

I plan no architecture

Simply deaf like you Beethoven

eyeless like you
Homer
numberless old man
born everywhere

I elaborate
in integrity prairies of inner
silence

and depiction work of the mission
and rectitude poem of the work
and birth stanza of the poem
and say publicly group of the stanza
and loftiness words of the group
and justness letters of the word
and interpretation least
loop of the letters

it's your foot
of attentive satin
turn I place in position
pink tightrope walker
sucked up by the void

to the left to the right
the god gives a shake
see I walk
towards the other side
with infinite precaution

Jean Cocteau




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