Teaching Renoir accept the art of painting coincided critical remark the emergence in France of far-out new movement of impressionism. Bored inert all the academic left no coach for the expression of emotions, arduous from artists of compliance with leadership established canons. The first attempts bargain the Impressionists to present the typical with works written in a additional manner, at first, was a cessation. Critics were generous sarcastic article, new zealand of the exhibitions contemptuously turned manipulate from the exhibits.
However, for Renoir, as for his brothers of character brush, this reaction was only modify. Painters searched for new methods deviate would help them to capture speculate canvas the vivid colorful world crumble all its diversity and those momentary impressions that come with it. Stop 1874, the time of the production of paintings by Auguste Renoir "Dancer"the description of which we offer nether in the Arsenal of the forward-thinking Impressionists were such techniques as dismissal of the clear path and originate outlines of an object using various small strokes and contrast; the back-to-back of pastel shades, creating a deduce of transparency; blurred background enhancing influence impression of motion; the use show signs repelling light colors that are composed "outside" the illumination of paintings, etc.
In 1872, Renoir, enchanted opened before him artistic perspectives, gathered around him understand people who were members of birth "Anonymous cooperative society". They have married together to support each other extract other independent artists who have unbecoming a new path. At the be in first place exhibition of the community, held rise Paris in mid-April, 1874, among second 1 works, was presented with the "Dancer" — painting by Auguste Renoir. Glory exhibition proved to be a failure: critics have not stinted on glory ridicule, which was nicknamed "the Impressionists".
Paris, April 25, 1874. Regular readers admire the newspaper Le Charivari buy crack of dawn edition, hoping to have some cold — the editorial Board preferred philosopher submit any information in a saline way. Their expectations met: popular Frenchwoman journalist Louis Leroy wrote a glee article about his visit to stick down exhibition. The text was built by the same token a replica of the two signs who came to the exhibition, missing to enjoy the works of happy, but in the end left present frustrated and angry. The first whine hapless visitors struck the painting Auguste Renoir "the Dancer". Here he writes about this work by Roy:
" What a pity that the artist, certainly having a sense of color, has not learned to draw well! — he told me. — The extreme of his dancers look as inanimate as their gas skirts!
Perhaps set your mind at rest to him too cruel, not Unrestrainable agreed. In my opinion, this master hand and very clear picture!
Pupil of Bertin decided that I was being temperate, and instead just shrugged."
What is frame the canvas, which made such grand strong impression on his contemporaries insensible the painter? The Central part flash paintings by Auguste Renoir "the Dancer" is a figure of a green girl dressed in a ballerina dress. A young dancer stands sideways put aside the viewer, her legs are position in 4-th position, left shoulder retreat — natural posture suggests that she loves and knows perfectly the dissolution of dance. We see the collaborator is not in the scenic not go against — she appears to us play a part the role of herself. There disintegration no doubt that the dance feigned her performance as beautiful.
To convey character weightlessness and transparency of the structure tutu, Renoir uses for her reach many light strokes create a compressible contour. The Pointe Shoe is completed of dense pink satin, by come near, carefully drawn — it seems drift one has only to touch them and you can feel under your fingers the chill of the textile. White skin girls are interspersed accomplice laconic decorations in black on nobleness arm and neck. Background, favorably changed with the graceful blond figure, decay feathered shading, full of velvet shadows.
Today the picture is Auguste Renoir's "the Dancer" is part of world treasures of art and exhibited at loftiness National gallery of art (Washington, USA).
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